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Home (A little piece of flash fiction)

Inspired by a discussion on Twitter today about the word “gams.” It inspired this little quick vintage-styled piece.

Home

It was Hawaii. Swaying palm trees and beaches and the ocean and warm tropical breezes that were incongruous with what November should be. It was the strange plinking sounds of ukuleles and dusky-skinned girls with straight dark hair who said aloha and called him a haole, in sweet, lilting voices.

But that night at the USO, thousands of miles from Illinois with its frigid air and barren fields buried under massive drifts of snow it was a girl who looked like home who captured Skip’s attention.

All peaches-and-cream skin, honey-blonde hair caught up in a net, and wearing a cherry-red dress that perfectly matched the lips that were turned up in a perpetual grin.

Reading20web

Hot damn, that dress was something else. Not because it was particularly racy or showed anything it shouldn’t. Outside of the color his Grandma would sniff wasn’t appropriate for anything outside a bordello, it was a perfectly respectable dress. Hell, she was even wearing a small, enameled flag pin at her collar. Couldn’t get more respectable than that, no sir.

But there was just something about that dress, mister…  The skirt swirling as she danced, riding up and giving peekaboo glimpses of legs left bare, all the patriotic girls having sacrificed their silk stockings for the war effort. Unlike all the other girls in the canteen, however, her legs were truly bare—she’d eschewed drawing lines up the backs of her legs to give the illusion of seams. And maybe because her legs were so defiantly bare—maybe because she danced tirelessly, with flyboys and squibs alike, showing no preference—he was able to look his fill at what he could only deem the finest pair of gams he’d ever seen in all his nineteen years, and that included the burlesque dancers at that club he and his buddies had visited the night before they shipped out and found themselves here.

In Hawaii.

Where he found himself the night before he was due to ship out again, this time for God only knew where and not knowing when—or even if—he’d ever make it back, and looking at a girl who looked just like home.

Sorting through notes and WIPs and trying to reorganize into something that makes sense, I keep coming across idea notes for potential projects. As is my habit, I jot things down as they occur, then set it aside for a later day.

Thought y’all might enjoy the peek into the mushy gray matter. These are notes for a story idea that clearly had its roots in chick lit, back before it became a dirty term. Until today, I hadn’t opened the file since 2004, so not exactly a barn burner of an idea. At least not one that set the lizard brain on fire.

Revenge of the Brat Pack (NOTES)

A woman pushing forty, who had initially imagined that her life would be like a combination of the influential John Hughes/Brat Pack films of her youth

Title each chapter after a different film or divide into sub-sections, referencing a different part of her life.  (Depends on how many films you use.)  Story catalyst is invitation to high school/college (which one?) reunion.  If college, perhaps she went to a college a lot of her high school classmates went to—she’s from Miami, which in the early eighties wasn’t as trendy and desirable as it is now, but had big dreams of getting out ala Andi in Pretty in Pink—hence the influence of those films.  Perhaps wanted to go to school in Chicago, because so many of the films she admired made it seem so clean and fun.  Or perhaps D.C. (St. Elmo’s Fire.)  Plus, it was different.  Those cities had seasons.  They lacked palm trees.  People bought warmer clothes and coats for back-to-school.  They fit the profile of every McDonald’s commercial of every ABC  Afterschool Special she ever watched.

Introduce each section with a blurb about the film saying what year it came out, who starred in it and a brief description of the movie.  And add the Siskel and Ebert review if you can find it.  Then memorable scene & quote from each film, i.e.

Memorable Scene: Ferris croons Danke Schoen and belts Twist and Shout from atop Polish Heritage Festival Float.

Memorable Quote:

“I did have a test today. That wasn’t bullshit. It’s on European Socialism. I mean, really, what’s the point? I’m not European, I don’t plan on being European, so who gives a crap if they’re socialist? They could be fascist anarchists, that still wouldn’t change the fact that I don’t own a car. Not that I condone fascism, or any ism for that matter. Isms in my opinion are not good. A person should not believe in an ism, he should believe in himself. I quote John Lennon: ‘I don’t believe in Beatles, I just believe in me.’ A good point there. Of course he was the Walrus. I could be the Walrus, I’d still have to bum rides off of people.”

Film suggestions-

Fast Times at Ridgemont High

Risky Business

Sixteen Candles

Weird Science

Breakfast Club

Ferris Beuller’s Day Off

Some Kind of Wonderful

Pretty in Pink

St. Elmos Fire

She’s Having a Baby

Dirty Dancing

Revenge of the Nerds

Lost Boys

Opening scene:

“VA-GI-NA! VA-GI-NA!”

This is what my life has come to

A bus full of little girls, all under the age of eleven, chanting.

“VA-GI-NA! VA-GI-NA!”

So not what I expected.

Subtitled: what happens when Barb is operating on 2.5 hours of sleep and sees a photograph that captures her fancy. The photograph in question:

Vintage Hollywood

All credit to Arlene Wszalek (@Wzzy) who had posted a lovely full color version of this image taken during a walk around the newly reopened Hollywood Reservoir. I mentioned that it seemed the sort of  image that evoked a sense of Old Hollywood and that I’d love to see it manipulated in a sepia-tint. A while later, voilà—the Lovely Arlene had tagged me in a post whereupon she had applied a sepia filter to the photograph and isn’t it lovely?

My first thought was, “There’s a story there.” (Go on, look surprised, I dare ya.) And lo and behold… a wee drabble emerged.

This is that drabble. Please, keep in mind, 2.5 hours sleep.

With many thanks to Arlene for indulging my idle whim.

Vintage Hollywood

New Year’s Day 1957

No one remembered what it used to look like.

The fruit orchards and citrus groves bisected by wide, quiet avenues and lined with modest Craftsman bungalows and Mission-style houses

Back before Bill Mulholland built his dam, and Woodruff and Shoults had erected that damned monstrosity up on Mount Lee designed to draw people to their “superb environment without excessive cost on the Hollywood side of the hills.” Hell, he hardly remembered himself—he hadn’t been that long out of short pants when the sign went up and not long after, the dam was built, changing the landscape forever.

Of course, it didn’t help—or hurt—depending on your point of view, that as the popularity of the talkies grew and the industry along with it, his quiet, sleepy town had also gone along for the ride—huge swathes of acreage giving way to studios and shopping centers.

He still hadn’t quite forgiven Chaplin for that.

Even so, the area had remained fairly sylvan and peaceful for quite a long time, removed as it was from the City of Angels, proper. Especially up in the hills themselves, lots of trails for a body to take a bracing walk or where a horse could still be ridden in peace. Up there, a body could get lost for days—weeks even—almost forgetting the hustle and bustle that invaded and wouldn’t be beat back. Not unlike a particularly insidious strain of poison-oak.

The one invader he hadn’t minded was the Observatory. There was something so regal and serene about it, clean and white and set at a remove from the ugliness. One could sit up there and feel just a little bit closer to the heavens and that was a fact.

There had been that scare some years back—that lunatic, Hughes, making noises about building up on Cahuenga Peak—something about how his princess deserved a castle so she could oversee her subjects.

Man was loopier than the yarn his grandmamma used to spin.

Then again, same argument could be made for City Council, since they actually voted to grant him permission to build.

Thank God, Hughes had all the restraint of a chickenhawk let loose in a henhouse. Ginger had caught wind of his indiscretions—not that he went to all that much trouble to hide them—and had the sense God gave a goat to give the narcissistic bastard the old heave-ho before she got in too far over her head.

Granted, he might not care for the sign much, but for better or worse, it was a landmark and a damned sight better than whatever that crackpot Howard would’ve seen fit to put up, no doubt overshadowing if not obliterating anything in his path. When one took into account that his next big project after Ginger cut him loose had been the Spruce Goose…

Well—everyone knew how that had turned out.

He paused for a breath and to regain his bearings. It was all changing so fast and yet, at times like this, the setting sun bathing everything in a warm gold glow, he could squint his eyes and it almost—almost—had the look of the sepia-tinted photographs so carefully preserved within the leather-bound albums that were his pride and joy.

They told a story, those albums did.

Just not the story everyone assumed.

They thought he was merely the family historian. The dotty uncle trying desperately to cling to a past about which no one cared.

Oh, but they’d care all right.

If they were smart enough to put together the clues he’d so carefully preserved on those bits of celluloid and painstakingly affixed to the heavy parchment sheets of those leather albums.

Of one thing he was certain—by the time they put it all together, that is, presuming they ever did—it would be far too late to do a damned thing about it. He’d be long gone and the biggest secret of all, gone with him.

Something about that—much like this place he loved so much—made him smile.

With that, he picked up the shovel and began to dig.

I’m sitting here with my first cup of coffee of the morning and mulling over a book I finished last night, Gracefully Gone, by Alicia Coppola. Honestly, I’ve been mulling over this book and writing this post since I first started reading it last week.

gracefully-goneNormally, I don’t write reviews—I might leave one on Amazon, as I did for Gracefully Gone, because I know those ratings and reviews can definitely help, but in terms of writing in-depth reviews on books, it’s not something I particularly enjoy doing. Maybe it’s because I know how much effort and sweat and tears and heart go into the creation of a book for me to turn what’s often a very critical eye on it. Call me a softy, but I can’t do it.

But Gracefully Gone has proven to be an exception almost from the get-go. Not simply because it’s prompting me to write about it, but because I even read it in the first place. You see, memoirs generally aren’t my cuppa—odd, since I actually love biographies, but I am a contrary creature. (Go on, look surprised.) But Gracefully Gone isn’t simply just another memoir either—it’s equal parts memoir, journal, and epistolary account. It chronicles the journey of Matthew Coppola, Sr. and his daughter, the young girl/woman who would grow up to become actress Alicia Coppola, as they navigated his cancer diagnosis, treatment, and eventually, the last months of his life.

It was a tremendous read—and yet, I still can’t review it, not in any traditional sense. It would… cheapen the experience, if that makes any sense. So I beg your tolerance as I record my reactions in the manner in which I heard them in my head as I read, which was… a chatty, conversational letter. Kind of apropos, no?

All right, then, here we go.

Dear Alicia,

Well, fellow writer, I finished reading Gracefully Gone last night. And as it has from the first moment I started reading, it has stayed with me. For various reasons—the style (since you are a wonderfully evocative writer), the story, the events, but most of all, because of a line you used more than once and that resonated: “There but for the grace of God…” View full article »

Just a few random observations on Between Here & Gone noted this morning:

I’ve received more reviews and “votes” (1228) which, let’s equate them to ratings on amazon or Goodreads, and “comments” i.e. reviews (104)  than I’ve ever received on any of my traditionally published novels. Hell, I think on all three combined. Including the negative/lukewarm reviews because yanno, Goodreads—where not reading the back cover copy and realizing you’ve bought a book featuring a love triangle when you hate reading love triangles is cause to give the book a one-star review. (I’m so not kidding about that.)

Even if I only look at the stats for Chapter Thirty (89 votes & 27 comments) they amount to more than I’ve gotten on any single novel.

And this isn’t even taking into account the comments left on my profile, which generally tend to refer back to BH&G as well.

I’m not trying to make any specific point here, other than idle curiosity. But I do find it interesting that more people found the book once it was listed as a feature title—a little thing, really, but it was giving the book a little piece of spotlight that seemed to bring it to readers’ attention. Maybe a lesson there for traditional publishers?

All right then, carrying on.

 

 

Where did it go wrong?

Where did it go wrong?

When did the change occur?

How did I evolve from the talented writer with so much promise to the afterthought? The one who doesn’t matter? The one whose only value stems from her ethnic/cultural background?

The one who’s passed from editor to editor and publisher to publisher, and no one know quite what to do with her?

Was it when a publisher decided they didn’t like my book and decided to cancel the contract? Was it when another author took offense at my name and decided to attack? Was it as far back as when I argued for a better title for my first book?

I don’t know. I just know it happened and it’s kept happening.

So I have to think it has something to do with me. Some intangible I have yet to identify.

It’s not the talent. That much I know. The talent’s still there—always acknowledged. The work ethic, too, since I’ve never once been late with a deadline, ever, and have worked diligently to give editors all they ask for. Those books I’ve worked so hard on have consistently won awards (even the one that was canceled by the publisher) and critical reviews. So it’s not about the writing. It never is.

It should be, but it isn’t.

So I don’t know what it is.

And I don’t know when it all went wrong.

All I know is it did.

There have been a couple of exceedingly thoughtful articles/opinion pieces lately that while different, are both about the pressure to conform, especially for girls. First was Amy Taylor’s brilliant piece in response to the Abercrombie & Fitch “Why we hate fat people” brouhaha, An Open Letter from a ‘Fat Chick’ to Mike Jeffries, CEO of Abercrombie and Fitch, and then today, I read Rachel Simmons’ The Damaging Message of Proms.

Both pieces are aimed a girls and young women and both spoke to me both as the young girl I once was and as the parent I am now.

Fair warning, I kind of suck at editorial/opinion pieces—there’s a reason I’m a novelist and not a journalist—my type of rambliness lends itself so much more effectively to fictional narrative than fact-based or opinion pieces, so if you continue reading, my apologies.

As an preteen/adolescent, I desperately wanted to conform… I thought. I blame ABC’s Afterschool Specials and McDonald’s commercials. While the Afterschool specials themselves were a little too preachy/Very Special Message for me, the McDonald’s commercials were like crack. They portrayed these groups of carefree, homogeneous kids (the 70s equivalent of the Abercrombie & Fitch “ideal”) cavorting along safe, autumn-leaf-strewn streets in some ubiquitous New England or Midwest Small Town on their way to share a bag of fries while sipping creamy shakes.

I grew up in Miami. Palm fronds, not autumn leaves were my norm. I was the only Cuban girl in my (then) white, middle-class neighborhood. My education, while typically public school for the 70s/80s, was differentiated by the fact that I was designated “gifted” and singled out to attend special classes twice a week. I was painfully shy and bookish and didn’t make friends easily.

But I had a McDonald’s.

So I’d hie myself off to Mickey D’s a couple times a week and pretend I was with a group of carefree friends with whom I could share my fries and cavort down autumn-leaf strewn streets. (First sign, maybe, that I was maybe destined to become a writer, but of course I didn’t recognize it back then.) I so desperately wanted to conform and be like everyone else— in a way, it was an expectation desired of me by my parents as well. After all, they were both immigrants and wanted the American Dream for their kids—one reason we lived in a white middle-class neighborhood in North Dade, rather than in the Cuban enclaves of Hialeah or South Miami which would have demanded a different sort of conformity.

At the same time, however, my mother, in particular, always made a point of stressing how different I was. How special. How I shouldn’t want to be like anyone else. Mixed messages, much? (Especially since “different” for her came with rules. It had to be “different” the way she wanted, not necessarily the way I actually was.) Ultimately, though, she wasn’t wrong. I really wasn’t like others and even as a kid, as much as I thought I wanted to conform, as much effort as I made at times, there was still an insidious voice within me whispering how it wasn’t me. Factors I had no control over, such as my ethnicity, my physical build, my intellect, coupled with my own personal interests and the pursuits I chose for myself (drum corps, classically trained pianist , figure skating) conspired to keep me just outside the norm. All through high school and even into college, I was at war with myself—fighting to be like everyone else while my natural inclinations led me down wildly divergent paths.

It resulted in a deeply unhappy and wildly insecure adolescence and young adulthood. I couldn’t help but make the choices I made yet found myself incredibly defensive and embarrassed about having to defend them.

I’m 45 now. I’ve lived in the Midwest and experienced those small towns with their autumn leaf strewn streets. I’ve done conventional in that I got the sort of college degree I thought I should. I realized, after a lot of trial and error how very not conventional and ordinary I am. I have reached a somewhat uneasy peace with my intellect. I have come to far more comfortable terms with my rebellious nature. I’m angry about all the time wasted as an adolescent and young adult; time spent chasing a concept fed to me as an ideal that took me a long time to realize wasn’t my ideal.

I wonder what I could have been, had I been more confident and less susceptible to all those images flashed before me during all those Afterschool Specials and McDonald’s commercials. Had I not had Brooke Shields and her slim-hipped 5’11” body telling us there was nothing between her and her Calvins.

On the other hand, having had the experiences I had—even the educational background I have—did give me the confidence to make choices for my own kids I might not have been capable of making otherwise. I was able to recognize their differences very early on and rather than simply declare “Oh, you’re different, revel in it,” and expect that to be enough, I went out of my way to give them the tools to cope with their unique gifts. (Yes, all kids are unique & wonderful & mine aren’t necessarily Special Snowflakes, but they’re my Special Snowflakes, dammit.)

Because I saw in them shades of how I was as a student and because of my background in education, I was able to recognize that a standardized public school education wasn’t going to cut it for either of them. While it was important for them to grow up around family during formative years, we knew staying in Florida for the long haul wouldn’t be healthy for them, so we moved to Seattle where they would have greater freedom to explore who they are and who they want to be and where we’d have better educational opportunities for them.

The only conformity I wanted for them was to who they are.

I look at them now, at 16 and 15 and see the people they’re growing up into and while I still feel vestiges of anger for all the time I wasted trying to be someone I wasn’t—someone the ads and popular culture and even my teachers tried to tell me I should be—at the same time if it’s allowed me the perspective by which I can give my kids greater confidence and freedom to discover who they are, well then, I guess I’d attempt to conform all over again.

Because in the end, the rebel in me always wins.

 

So, some of you may have noticed (probably more of you have not) that for the past two weeks, I’ve been Up To Something. That something being I’ve taken a manuscript of mine, Between Here & Gone that is complete and have been putting up, chapter by chapter on Wattpad. Why?

The easy answer is, why not?

The harder answer is, as you might guess, a bit more complicated. Let me see if I can bullet point this into something that makes some sense.

  1. As I said, the manuscript is complete. *waits to hear cries of “But Barb, don’t you want to sell it?* Well, d’uh, of course I’d love to sell the thing. But it’s one of Those Manuscripts. The kind that has no real definition in terms of genre. It’s not YA or New Adult or romance or literary or… I mean, the closest you could come to calling it is maybe a commercial women’s fiction, but it’s not contemporary. It’s set squarely in the 1960s and it’s a bit of a coming-of-age story and…Well… you see what I mean about undefinable? This is the sort of manuscript that’s difficult to sell, especially when you don’t have a track record in said undefinable genre. And aren’t Nicholas Sparks (not that I’m bitter or anything…). It’s the sort of thing that because I don’t have an established audience, I suspect would make it difficult to self-publish, especially with my self-admitted suckagetude at self-pimpery. Y’all know how very, very bad I am at promo. Even this blog post is taxing my ability to jump up and down and say, “Heeeeeeyyyyyyy!! Look at meeeeeeeeeee!!! Pay attention to meeeeeeeeeee!!!! Love meeeeeeeeeeee!!!
  2. Another reason is because among my work, not just the YA, but the adult stories—let’s call it eleven completed manuscripts and probably a half dozen more in various stages of completion—this manuscript stands alone as its own beast. By which I mean it’s completely unlike anything I’ve written before and it’s unlike anything on which I’m currently working. Something else that makes it a harder conventional sell.
  3. It’s a safe experiment. There are those who would say it’s a risk—what if the story’s not as good as I think it is or if I turn off readers or… Screw it. No risk, no reward, right? I’m tired of being a coward, y’all. I write. I want to show that I’m not just a one-trick pony. I can write something other than multicultural YA and if publishing won’t give me the opportunity to show that right now, then it’s up to me to show off what I’m capable of.
  4.  I like this damned story. A lot. I’d love to know if other people like it as well. And being one who lives in her writing cave most of the time, it’s a way by which to get some immediate feedback. Okay, admittedly, I haven’t gotten a lot yet, but still, it’s feedback I didn’t have before.
  5.  But perhaps most importantly, I’m doing this because I’m a storyteller. I had this story I wanted to tell and so I did and now I want to share it.

Is it the best novel I’ve ever written? I have no measure by which to decide, really. I certainly think there are elements that are among the best I’ve written. There are probably places it could be better, but I could say that about everything I’ve ever written, published or not. Maybe even especially the published works.

What it comes down to is I really, really like this story and I wanted to share it. I chose Wattpad as my “publishing” platform, even though I’m not necessarily the site’s target demographic or write in what’s considered a popular genre for the site, because it’s basically idiot-proof. It’s a glorified blog with the novelization formatting built in, which makes it an easy task for me to post the chapters so it doesn’t wind up feeling like a chore or obligation. It’s fun. The most work I did was putting together a cover which, if I do say so myself, I think I did a reasonably nice job on.

So there you have it. Complete story. A 100K word book up for free. There’s drama and adventure and self-actualization and romance and more drama all set around the turbulence of the mid-1960s.

Between Here & Gone

Between Here & Gone

In 1959 Cuba, seventeen-year-old Natalia San Martín was nothing short of a princess, sheltered, pampered, and courted by her very own prince, a childhood friend turned lifelong love. She and Nicolas made grand plans to study abroad and travel the world, secure in the knowledge their tropical paradise—the home they loved above all others—would always be there for them. All that changed on the fateful New Year’s Eve when Fidel Castro and his followers seized control of the island, with tragic consequences for not only the island, but for Natalia herself.

Five years later, it’s the fall of 1964—the U.S. is a country hovering on a precipice of massive change. The halcyon days of the Kennedy Administration have begun fading into memory, as the ongoing Cold War, the escalating conflict in Vietnam, and racial unrest at home begin to erode the sense of purpose and innocence that had gripped the country for three short years.

None of which really matters much to Natalia. For her, purpose and innocence disappeared five years ago; these days, she merely suffers her new existence as Natalie Martin, firmly leaving her past where it belongs—until the moment it all catches up to her and forces her to face the choices she’s made.

 

 

Those of you who know me, know how difficult it is for me to pimp myself out, but here I am, donning the Purple Hat of Pimpitude: please, RT, share, babble, whatever floats your boat if you feel as if I’ve written something that maybe has/deserves an audience. I will forever love you (well, more than I already do) and if you’re really nice, I might even give you my firstborn.

A Wee Valentine’s Story

It began, as such things do, with a conversation on Twitter. The lovely and talented Janice Whaley was passing the time as she waited (and waited… and waited…) for her turn to audition for The Voice. That she was there at all was due to the Evil Influence of one James Roday, AKA the irrepressible Shawn Spencer from USA Network’s psych . Many who are fans of the show or of Janice or James or all of the above also know that James is a Damned Fine Singer. Don’t believe me? Just listen to the cover of Tears For Fears’ “Ideas as Opiates” that James and Janice recorded as a duet for Curt Smith’s birthday gift last year.

Anyhow, I digress, but not really, since this is all Very Important Information leading up to my part in the madness.

So Janice was passing time tweeting and she happened to mention what a fabulous cheerleader James had been throughout the whole process, from encouraging her to sign up for an audition to helping her figure out what to sing. Which, of course, led to envisioning James in cheerleading drag. Which begat envisioning his costar Dulé Hill in cheerleading drag. Which begat envisioning their costar Tim Omundson in cheerleading drag. (I know, I know, but look, my only defense is that we were trying to distract Janice and keep her somewhat mellow prior to the audition.)

At any rate, the madness culminated with Janice proclaiming this was all starting to edge toward fanfic territory. To which I responded if she made it through her audition, I’d write her a wee little psych-fic with Shawn, Gus, and Lassie as cheerleaders. Because c’mon, just having the guts to do what she did deserves some sort of reward, right?

Maybe chocolates would’ve been better.

But because writing is what I do and Janice did make it through her audition, I wrote this wee little tale—after I sent it to her, she asked if I would be willing to share with you lovelies online as a Valentine’s Day gift and because I adore Janice and I adore all of you, I said sure (and promptly downed a handful of Tums).

Now, because I am a professional writer and I’m sensitive to these sorts of things, the standard

 Disclaimer: Psych and its characters belong to Steve Franks & Co., NBC/Universal, and pretty much anyone else who isn’t me. This work of fiction has been produced solely for entertainment purposes, no infringement intended.

And if the Intellectual Property/Copyright Police come after me, I will take this down, no questions asked.

So without further ado, I give you…

Shawn & the Valentine’s Pyramid o’Doom

Barbara Caridad Ferrer 

For Janice Whaley whose talent, guts, and good humor are a constant inspiration

 ©2013

View full article »

Far be it from me to not do a roundup, but this year, it has to be a quickie, because a) I’m on deadline (and to quote Bill the Cat: ACK! Pbbbllllltttt!!!!) and b) I was spectacularly underwhelmed this year. So I hope you’ll forgive the brevity. Hopefully, the SAGs and Oscars will give us better material.

There was a lot of channeling going on this year. A lot of channeling.

Claire Danes channeled Gwyneth, Isla Fisher channeled Kate Winslet, Katharine McPhee channeled JLo, Alyssa Milano channeled a NYC Cab…

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Lucy Liu clearly took her inspiration from Carol Burnett as Scarlett O’Hara, except she opted to skin the parlor sofa rather than the drapes. Her hair also looked as if she’d reconstructed her braid after a quickie in the back of the limo.

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Moving along, it appeared that many of the actresses in attendance were extremely jealous of Angelina’s Leg and were desperate to inspire parody Twitter accounts for their own legs. I can only hope they were all wearing underwear, as high up as some of these slits went. (Too many to mention but any other fashion gallery will show many examples, I’m sure.)

I will give you one example of The Leg Thing, if only because she was such a huge offender from another standpoint. Halle, you’ve got great legs, we get it. More importantly, however. for the love of all that’s good and holy, don’t do that to The Girls. I mean, did she piss off her stylist or what? Did she actually think this looked good? (And watch—she’ll show up on all the Best Dressed Lists, just because she’s Halle.)

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There were a few gowns I liked—while I wasn’t crazy about the cut/fit of the bodice, I did rather like Jennifer Lawrence’s red ballgown and Naomi Watts’ claret sheath with the train. (Actually, Naomi’s is one that the longer I consider it, the more I like it.


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My favorite of the night, however, probably was Tina Fey’s gown from the early part of the ceremony itself—love the color, her hair, and of course, the sassy lady wearing it.

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Here’s hoping the Oscars bring some better selections overall (and more time).

*Images courtesy of People Magazine & Huffington Post Style. 

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